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by Whistler P. McManus
I'm of the opinion that an accomplished artist can take a work by another and make it into not just something else, but something more. It doesn't always work out, but if people didn't try, we wouldn't have Jimi Hendrix's version of Bob Dylan's All Along the Watchtower, Patti Smith's version of Them's Gloria, Cream's version of Robert Johnson's Cross Road Blues, Israel Kamakawiwo'ole's version of Judy Garland's Over the Rainbow, or Alanis Morrisette's version of Fergie's My Hump.

That's Bruddah Iz (Israel Kamakawiwo'ole), not Suicide Ranger.
I'm going to try to stick with cover versions that I think were recorded with the belief that the covering artist was making a genuine effort at an artistic statement or at least paying tribute to the original artist/song. I will nominate 25 songs, and select from that list the worst 3. I have listed the covering artist, followed by the song title, followed by general note categories (in parentheses) and original artist [in brackets]. Notes following each song title indicate the following general categories of awfulness:
1. Bad covers of bad originals.
2. Grossly inappropriate material for the covering artist.
3. Original so awesome it should not have been covered.
4. Covering artist just plain sucks.
The nominees:
Pat Boone: Tutti Frutti. (2, 3) [Little Richard]. This is a great place to begin. For those without the historical background, Little Richard was a popular artist on what used to be called "Race Records." There was a belief at the time that white folks wouldn't buy records made by black musicians. We're talking about the 1950's and earlier here. If a race record was a hit, a white artist would record a version sanitized of racial and sexual overtones and whatever other teeth it might have had. The cover would then make money for everyone but the original artist. Pat Boone is probably the first name that comes to mind when people remember this practice. Little Richard, along with Chuck Berry, are the first names that come to mind when people think of early race records that "crossed over" and were bought by white audiences. Boone's verion of Tutti Frutti made it to number 12 on the Billboard charts. Little Richard's original peaked at number 17. Still, it's Little Richard's version that has endured, and Boone's has faded in ignominy.

In 1955, white people were afraid of this man.
Guns 'n' Roses: Knockin on Heaven's Door. (2) [Bob Dylan]. Even Avril Lavigne's version was better.
Guns 'n' Roses: Live and Let Die. (2) [Wings]. I like GnR, but I believe that if you're going to cover a song, you should have your vocalist learn the lyrics, or at least have a copy to read from when recording it. Axl sounded like he was making it up as he went along.
James Blunt: Rocky Racoon. (1,4) [Beatles]. If you're a totally lame would-be-romantic-but-is-actually-quite-homosexual crooner, and you're going to try to sell CD's by covering the most popular band in history, why wouldn't you pick a nice ballad or love song instead of the stupidest song they ever recorded?
William Shatner: Lucy in the Sky with Diamonds. (1,4) [Beatles]. This is considered by many people to be the worst cover song of all time. I'm not 100% certain that Bill wasn't goofing here. The Shatner ego, however, is enormous. It's entirely possible that Captain Kirk actually believed that his interpretation added something.

Picture. Yourself. On a boat. In a river.
Madonna: American Pie. (2) [Don McLean]. This song didn't exactly rock in the original version, but it is wonderfully fun to analyze, makes a bold statement and has a catchy chorus. The Material Girl just butchered the hell out of it, removing any semblance of sense, any meaning whatsoever and any heart it may have once had.
Kelly Osborne: Papa Don't Preach. (4) [Madonna]. Madge deserved this after what she did to Don McLean.
Britney Spears: Satisfaction. (2,4) [Rolling Stones]. Just sooooo inappropriate. The original rocks like a mother-Froster. It is an angry song. Angry riff, angry lyrics, angry everything. And not "the groomer screwed up the cut on my teacup poodle" angry, or "someone put regular milk in my soy latte" angry.
Britney Spears: I Love Rock and Roll (2,4) [Joan Jett and the Blackhearts]. Joan Jett may not be Jagger/Richards, and this may be the corniest of her efforts, but Joan does have balls. And I'm not trying to say she's a lesbian (though I think she might be).
Metallica: Turn the Page. (1) [Bob Seger]. I actually like Metallica, even if I do think that Lars and James are a little too full of themselves. And while James' voice is well suited for most of their originals, he makes a garbled mess of this song. Bob Seger sings to tell a story, and James sings to set a mood, or conjure an image. Metallica should have known that.
Metallica: Whisky in the Jar. (2) [traditional]. Not to pick on Metallica again, but Whisky in the Jar? Leave it for the Chieftans, the Dubliners, the Clancy Brothers, Thin Lizzy or even the Pogues.
Whisky in the Jar: Yes

Whisky in the Jar: No
Limp Bizkit: Baba O'Reilly. (3,4) [The Who].
Limp Bizkit: Behind Blue Eyes. (3,4) [The Who].
Pearl Jam: Love Reign O'er Me. (3,4) [The Who].
Cheryl Crow: Behind Blue Eyes. (2,3) [The Who].
Hilary Duff: My Generation. (2,3,4) [The Who].
You just don't cover The Who. Even if you're George W. Bush singing Won't Get Fooled Again. No other band, or group of studio players, is The Who. The Who, to a man, are gods. And these are four of their greatest achievements. Maybe The Clash could have covered a Who song and I wouldn't have objected. Maybe The Stooges. But Hilary Frost-ing Duff? Limp Bizkit? Pearl Jam, with that no talent Eddie Vedder? Cheryl "Tour de France Groupie" Crow? No, no, no and good god no.
Faith Hill: Piece of My Heart. (2) [Janis Joplin].
 Faith Hill is pretty.
 Janis Joplin was not.
Janis Joplin could sing like someone really was tearing out a piece of her heart.

Faith Hill is pretty.
Celine Dion: You Shook Me All Night Long. (2,4) [AC/DC]. I'm not sure that anyone without testicles should attempt an AC/DC song, but I try to keep an open mind. The warbling of this Canadian curse on the world, though, is an insult to the memory of Bon Scott, and to the ears of every living thing.
Counting Crows: Big Yellow Taxi. (1,2,4) [Joni Mitchell]. The original was a stupid song. And a chick song. And Adam Duritz sings like my ass chews gum.
Michael Bolton: Dock of the Bay. (3,4) [Otis Redding]. Otis Redding's version of this song nearly makes me cry. Unfortunately, Michael Bolton's version does make me cry.
Frank Sinatra: Something. (2) [Beatles]. Who the Frost is Jack, and what does he have to do with George Harrison and Patti Boyd? Frank just totally missed the point on this one.
Rod Stewart: Downtown Train. (2,4) [Tom Waits]. Once upon a time, Rod Stewart was a cool guy. Not as cool as Tom Waits, but pretty Frost-ing cool. Anyway, Rod is not cool anymore, and he did nothing for this song.
Motley Crue: Anarchy in the U.K. (2) [Sex Pistols]. I really, really, highly doubt that anyone in Motley Crue (with the possible exception of Mick Mars), could even give us a proper definition for anarchy. Or find the U.K. on a map.
Kid Rock: Feel Like Makin' Love. (4) [Bad Company]. When they came out, I thought Bawitdaba and Cowboy were kind of fun, interesting "songs." And I put songs in quotes because they're kind of tuneless. Or at least Kid's singing is. But they're fun, if you don't pay too much attention to the macho posturing and weenie waving. Kid took a wrong turn covering Bad Company and trying to sing like he was serious.
Kid Rock: All Summer Long. (4) [Lynyrd Skynyrd] [Warren Zevon]. (Sweet Home Alabama and Werewolves of London) In case you didn't know already, I don't like Kid Rock. He's a tool. To take these songs, whose original composers are no longer alive to defend themselves, and bring them together in his own lame-ass "mash up" is just too much.

He takes a good mugshot, though. I'll give him that.
And the winners (losers?) for Top 3 Worst Cover Versions That Ruined the Original Song:
3. Madonna: American Pie. As the Christians say, it is an abomination.

But at least she's still sexy.
2. Metallica: Turn the Page. Take the marbles out of your mouth, James.

1. Limp Bizkit: Baba O'Reilly. Fred Durst - please die.

Thumbs up like Fonzie. Douchebag.
If you enjoyed this article, you might also enjoy Three Badass Rock Songs That Really Do Use Cowbell, by the same brilliant author. Or you can earn funny points by arguing with his selections, below.
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